The foil stamping is then applied during the production process after the pages are printed and before the final binding. When the illustration is complete he cuts the paper from the wooden board.įor books that feature holographic foil stamping, he then tapes a piece of transparent film over the art and indicates with a black marker where the foil stamping should be. For sharper details, he first lets the paper dry, then paints the final picture layer by layer. For backgrounds and blended contours, he uses wet paint on wet paper to get a softer effect. At this point, he is ready to begin painting. He then copies his rough sketches onto the paper in pencil. He begins each book by stretching watercolor paper over a wooden board so that it won't warp when wet. Marcus does most of his illustrations for children's books in watercolors. His best-known work to date is The Rainbow Fish, which has remained on bestseller lists across the United States since 1992. In 1983, he decided to dedicate more time to artistic pursuits, and began to write and illustrate his first book, The Sleepy Owl, which was published in 1986.
Makes sense: aren’t parents and other close family members children’s first teachers? This duality suggests that the book might be best shared one-on-one between a nostalgic adult and a child who’s developed some self-confidence, having learned a thing or two from a parent, grandparent, older relative, or classroom instructor.Ī sweet, soft conversation starter and a charming gift.Marcus Pfister was born in Berne, Switzerland, and began his career as a graphic artist in an advertising agency. Alternatively, readers won’t fail to note that this small book, illustrated with gentle soy-ink drawings and featuring an adult-child bear duo engaged in various sedentary and lively pursuits, could just as easily be about human parent- (or grandparent-) child pairs: some of the softly colored illustrations depict scenarios that are more likely to occur within a home and/or other family-oriented setting. However, the voice could equally be that of an adult, because who can’t look back upon teachers or other early mentors who gave of themselves and offered their pupils so much? Indeed, some of the self-aware, self-assured expressions herein seem perhaps more realistic as uttered from one who’s already grown. This gentle ode to a teacher’s skill at inspiring, encouraging, and being a role model is spoken, presumably, from a child’s viewpoint. A paean to teachers and their surrogates everywhere.
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